A year of inspirational masterworks from Britten, Handel and Haydn alongside fresh Australian compositional voices.

Composer-conductor Aija Draguns talks about her brand new work about to be premiered by the Oriana Chorale.

Clarke’s full Monty proves an eclectic revelation.

German-Japanese pianist Alice Sara Ott's showcase of a lesser-known composer was the platform's most popular album of the year.

From birdsong in March to the thunderous roll of Haydn’s London triumphs in October, AHE’s 2026 season traces an arc of discovery and delight.

"Hidden gems" and a Shakespeare-inspired world premiere make for a joyful experience from beginning to end.

Hardanger fiddle and evocative special effects have this audience pining for the fjords.

Mark Wigglesworth and the ASO open up a window into a golden age of musical evolution.

Britten’s The Prince of the Pagodas leads a strong field across five categories.

Under director Sam Allchurch, Sydney Chamber Choir and guests illuminate a work of profound beauty and depth.

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Online arts platforms blossomed during the COVID lockdowns. Six years later, what's the way forward for them?