Review: De Hartmann: Esther (Corinne Winters, Bournemouth Symphony Orchestra, Kirill Karabits)
The de Hartmann renaissance continues apace with a fine 20th-century opera.
The de Hartmann renaissance continues apace with a fine 20th-century opera.
A fresh, comedic take on the classical concert and a convincing argument for its continued relevance to new and younger audiences.
Stellar performances of salon and Belle Époque music from the erstwhile Beaux Arts Trio star.
The conductor talks about completing one of the most challenging of all symphonic cycles.
Cameron Lam collects memories of home, travelling, and correspondence in the latest Australian Art Music playlist.
Our mid-winter edition celebrates orchestral milestones and boundary-breaking composers while pondering creativity in the algorithmic age.
A new chamber opera, a piece for voices and bass koto and a culturally-informed sound installation among the works supported.
The sense of freedom and enthusiasm projected by seven very fine instrumentalists proves infectious.
The Australian rising star takes home a $40,000 NZD cash prize, a record deal and a New Zealand tour engagement.
ASO Tutti Trombone hailed as "a phenomenal trombonist" and "dedicated advocate for the Orchestra".
Ivan Karizna’s magisterial performance of Shostakovich’s first cello concerto contrasts with an enchanting new work by Jakub Jankowski.
Nelsons and his forces shine light into every corner in a Mendelssohn mega-release.
Bass-baritone Freddy Shaw called an ambulance and administered CPR to a man who had collapsed on the street in the NSW suburb of Mona Vale.