Ensemble Q and Piers Lane triumph in an astonishing evening of chamber music.

Superb re-imagining of French Baroque opera by Véronique Gens.

Music lessons have had to pivot to Zoom during lockdown, but while there are major drawbacks to this it has also offered new intimacies.

Zela Margossian, Bree van Reyk and Sia Ahmad will take part in a livestreamed panel discussion, instead of the traditional speech by an individual.

Violinist, composer and dancer Eric Avery is one of the nine artists who have been awarded a two-year fellowship to help develop their creative practice.

The pandemic has exposed rifts between arts organisations and freelance musicians. We need to recast the relationship for everyone to thrive.

With Ólafsson and Mozart, pianists and their programs are rarely as engrossing.

Simone Young's first official program includes Fidelio in concert and Mahler Two, which celebrates a return to the Sydney Opera House Concert Hall in July.

A startling string quartet, like you’ve never heard it, for these pandemic times.

Amidst a beautifully curated program, the premiere of a new work by Cara Zydor Fesjian offers absorbing and thought-provoking listening.

West Australian Symphony Orchestra and Guest Director Shaun Lee-Chen delivered an excellent mix of Baroque delights: crowd-pleasers, showstoppers and rarer gems.

QSO’s 75th year features classical favourites, works by 20 Australian composers including several world premieres, opera, film and musical theatre galas, and performances by international soloists.