Music by an Australian great is about to be heard for the first time in London. Pianist Rosemary Tuck traces its journey to the concert stage.

An engrossing tapestry of ancient and modern from the G6.

"Big ideas, big emotions" promises NZSO's Gemma New – and big names too, including María Dueñas, Isata Kanneh-Mason, James Ehnes and Stephen Hough.

A debut orchestral concert, a new staging of Pinchgut's first-ever production and an Australian premiere.

A fine balance of contemporary and traditional works culminates in a drawn-out, roof-shaking finale.

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What is synaesthesia? How does it manifest itself in music makers and their listeners? We talk to a leading expert and musicians to find out.

Born without a right hand, British pianist Nicholas McCarthy is a champion of left-hand-alone repertoire with a busy international career.

When Benjamin Grosvenor signed with Decca in 2011, he was their first British pianist in almost 60 years. He talks about the music on his forthcoming tour.

Ahead of Backstage Music's Unbound concert, soprano Ria Andriani explains why it is vital to open up spaces for artists with disability.

Sydney Dance Company’s Continuum includes a new work choreographed by Stephen Page to music by William Barton. We find out how it came about.

Rrawun Maymuru and Nick Wales discuss their new work for the Australian Brandenburg Orchestra, which includes live singing in the Yolŋu language.