Pinchgut to draw a thread between the past and the present in Artaserse
In a roundtable chat, mezzo-soprano Vivica Genaux and artists of Pinchgut discuss the weight of history in the Australian premiere of Hasse's opera.
In a roundtable chat, mezzo-soprano Vivica Genaux and artists of Pinchgut discuss the weight of history in the Australian premiere of Hasse's opera.
The former Artistic Director and Chief Executive of State Opera of South Australia has pleaded not guilty to four charges relating to alleged offences between 1988 and 1991.
An imperfect realisation of Wagner’s comedy, but the music making more than compensates.
The composer and Head of the Sir Zelman Cowen School of Music will examine gender equality and empowerment in the 2018 address.
Omega’s gumboots are made for dancing.
The Australian composer's new double violin concerto for the Melbourne Chamber Orchestra sits back to back with Bach.
A concert all the more interesting for its elements of surprise.
The repercussions of the leadership spill will last years, but at least Turnbull isn’t staying, like Gollum wanting his Precious back.
Jonathan Grieves-Smith and the Hamer Singers remember the victims of war and violence.
These Serenata concerts are not only a delight to experience but also represent an essential home-grown component of our soul.
Featuring two musicals, three festivals, a new dance work from Australian Dance Theatre and a Chinese New Year Concert with the ASO.
Jazz and classical fuse in new take on Claude’s preludes.
Watkins and Lortie help Finzi rake eloquently over Romantic embers.