Composer Erik Satie, jazz singer Lisa Simone, clarinettist Michael Collins, a deep dive into a brand-new Carmen, and a Broadway hit about a 16-year-old going on 70. Limelight's July issue is essential reading.
Australia crowns Beethoven king of the keys (again) as the 'Emperor' Concerto takes out this year's piano-centric poll.
The Song Company shines in a cleverly assembled collection of songs by Baroque masters and contemporary Brits.
The devil – and more – in the detail in a spooky program featuring Bernard Herrmann's still-impactful Hitchcock score.
Adès suites: alternately shocking, magic, and a hell of a lot of fun.
A newly established ensemble of staff of the University of Adelaide’s Elder Conservatorium delightfully showcases three exemplary chamber compositions.
The ‘pianist’s pianist’ Stephen Hough sprinkles some rare Mendelssohn magic with a Brahms feast to follow.
Ensemble playing of considerable accomplishment, led by a conductor of growing authority.
A live orchestral performance of the Blue Danube Waltz transmitted to Voyager 1 corrects what some Strauss fans regard as a long-standing omission.
Katy Abbott, Thomas Meadowcroft and Leah Curtis among the musicians receiving a share of $82,500 to compose a new work.
Eloquence issues two of the best Mercury collections from the 1950s and 60s.
About to hear his Fourth Symphony premiere with WASO, the composer talks about the scope of his work – its spatiality, its silences, and its 'Gothic Burlesque'.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
