Adès suites: alternately shocking, magic, and a hell of a lot of fun.

A newly established ensemble of staff of the University of Adelaide’s Elder Conservatorium delightfully showcases three exemplary chamber compositions.

The ‘pianist’s pianist’ Stephen Hough sprinkles some rare Mendelssohn magic with a Brahms feast to follow.

Ensemble playing of considerable accomplishment, led by a conductor of growing authority.

A live orchestral performance of the Blue Danube Waltz transmitted to Voyager 1 corrects what some Strauss fans regard as a long-standing omission.

Katy Abbott, Thomas Meadowcroft and Leah Curtis among the musicians receiving a share of $82,500 to compose a new work.

Eloquence issues two of the best Mercury collections from the 1950s and 60s.

About to hear his Fourth Symphony premiere with WASO, the composer talks about the scope of his work – its spatiality, its silences, and its 'Gothic Burlesque'.

Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.

Composer-conductor Richard Mills takes over the podium from Jonathan Tooby to lead "an orchestra with a unique voice in Australia".

Elim Chan's nuanced and spirited conducting and Alexander Gavrylyuk's pianistic brilliance made for a perfect partnership.

Morlot unites with L'Auditori for latest instalment of ambitious Ravel project.