Live review: Dance, Lucinda Childs Dance Company, Perth Festival Heath Ledger Theatre, February 25 Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Less is more on Mozart’s path to enlightenment. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

I Fagiolini may be called “The Little Beans” in Italian, but they make a big, beautiful choral sound. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

More Brahms with your Webern, sir? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Ludovic Bource's acclaimed score for The Artist draws as much from Brahms as from Hitchcock.

These intrepid early music singers compare their sound to a string quartet’s – a match made in heaven for the ACO. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

What are the Slovenian conductor’s big plans for Australia’s smallest state orchestra? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

The conductor of England’s greatest Baroque choir explains why they’d be lynched if they performed Allegri’s Miserere as it was written. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Savage and unremittently dark, Richard Strauss’ Elektra is a gritty psychological thriller, a tale of revenge, torment, matricide and – yes – love.

Canadian ensemble Tafelmusik play the music of the spheres, with a little help from Galileo. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Gustavo Dudamel and Joyce DiDonato head up this year's list of distinguished winners.

The crossover sensation says The Devil's Violinist was “the first rock star”.