Vale Don Hazelwood, long serving Sydney Symphony Concertmaster
A player of "outstanding musicianship [and] diplomatic finesse," Hazelwood was Concertmaster of the SSO for 33 years.
A player of "outstanding musicianship [and] diplomatic finesse," Hazelwood was Concertmaster of the SSO for 33 years.
A Mahler Three persuasively cast as a slow-turning kaleidoscope.
MCO's season opening concert featured an inspired and compelling combination of works, with something for everyone.
We now have a new option for the 'O' in WASO, as Asher Fisch and Alexander Gavrylyuk take their audience to new heights.
The German pianist and composer is a marvel of live electronic performance.
Tenth Muse Initiative tracked diversity in Australian orchestral programming in 2024. Which organisations are pulling their weight?
Ehnes and his 1715 Stradivarius have become a familiar sight on Sydney Opera House’s concert hall stage, but he always surprises.
The Perth-born conductor has been named the new music director of Philadelphia’s No Name Pops.
Expert in the music of 17th and 18th centuries, Donald Nicolson is also active in music outside the bounds of historically-informed performance.
Lisiecki weaves a fascinating trajectory through one of music's most enduring genres.
Flautist Sally Walker deep dives the fascinating world of dolphins in a new work for the Canberra International Music Festival.
An adventurous evening for new music enthusiasts at Sydney’s Goethe Institute.
One of Europe's premiere Baroque orchestras is returning to Australia for a national tour. Violinist Beatrix Hülsemann reveals what's in store.