Review: Opus.her (Orange Chamber Music Festival)
OFCM demonstrates a dedication to Australian and female-composed works that other orchestras and festivals lack.
OFCM demonstrates a dedication to Australian and female-composed works that other orchestras and festivals lack.
Despite efforts to censor – and even kill – her, the Soviet-Russian composer's works shattered boundaries and are celebrated all around the world.
The MSO kicks off its first full orchestra overseas tour since 2019 with an appearance at the Edinburgh International Festival.
Composer Melody Eötvös talks about her new piece for Ensemble Q, inspired by Roman ruins in Spain and her "incredibly nerdy" hobby.
In front of a full house, an artistically successful showcase of the artistic potential of intercultural collaboration – at a time when it's sorely needed.
April's issue of Limelight is a feast of must-reads on music and the performing arts, from trailblazing bagpipe player Erwan Keravec to Richard Roxburgh's new film. Don't miss out!
Cameron Lam returns to musical adventures from Western Australian composers, performers and improvisers in this month’s Australian Art Music playlist.
Parlando’s intensely Russian debut presents music of daring and defiance.
Stepping in at the last minute due to Alfred-related cancellations, the ACO Collective had the wind at its back as it opened the 2025 OFCM.
Ahead of upcoming concerts with violin star Yamen Saadi, pianist Simon Tedeschi speaks about instant musical partnerships and the legacy of Fritz Kreisler.
Alongside this year's Fellows, the SSO has also announced the addition of a new conducting stream for next year's Fellowship Program.
The frisson of live concerts ensures this unmissable Karajan set takes flight.
Eighteen works symbolic of pilgrimage delivered by seven singers at the top of their game.