The European premiere of Cat Hope's wordless opera Speechless creates a conduit for an enormously complex international crisis to resonate on a personal level.

The stars come out for a night of popular music that sends its audience out on a high.

Composer Cat Hope reflects on the German premiere of her wordless opera Speechless and what it means in today's troubled Europe.

Brandies dish up a double serve of delicious Vivaldi, Seasoned to taste.

Lavish box set unearths long-awaited treasures by Frenchwomen of note.

From classical to contemporary, gospel to pop, this year's Festival of Voices traverses a rich choral landscape with Australian and international artists.

Saving the best for last, this year’s festival rings down the curtain with a world premiere and a moody reading of Schubert’s Octet.

In his new book, Roger Neill traces the extraordinary history of St Kilda's Simonsen family and gives us a taste of their fascinating life.

Mead’s eye for detail shows Restoration masterpieces in their true colours.

A round-up of our recent news reports.

The Marais Project takes us on a spine-tingling journey through 400 years of music and leaves the audience begging for more.

The third collaboration between WA Opera and UWA’s Conservatorium of Music, Oratorio is a startling resurrection of an “ugly duckling”.