Review: Invocation (Elsa Dreisig, Orchestra dell’opera Carlo Felice Genova, Massimo Zanetti)
Wide-ranging program showcases a soprano of rare sensitivity and power.
Wide-ranging program showcases a soprano of rare sensitivity and power.
This month features Elsa Dreisig, a soprano of prodigious talents, Allan Clayton singing Winterreise and orchestral music, some familiar, most not.
A stylish odyssey across two centuries of English song.
Visually exciting and musically impeccable, this production is a wonderful way to experience Schubert's Die Winterreise.
Always moving with the times, The King’s Singers balance tradition, conviction and contemporary ideas of connection.
US vocal group Roomful of Teeth unlocks the extraordinary potential of the human voice in a vibrant, highly textured program.
The King’s Singers turn Canberra’s Snow Concert Hall into a shared stage for a once-in-a-lifetime lesson in vocal artistry.
From Bach to Britten and ballet, the Australian Boys Choir unveils a far-reaching 2026 season.
Fascinating for aficionados, but Bach's Motets are not especially entertaining in aggregate.
Clayton brings focus and intensity to Zender’s phantasmagoria of colour and emotion.
A solo recital debut well worth the wait from an exciting French soprano.
Our team of expert writers explores the challenges, themes and highlights in the year ahead for arts companies.
As her play Lacrima comes to Australia, writer/director Caroline Guiela Nguyen talks about why she likes interweaving different narratives.