The Song Company serves up a ‘salon’ Messiah
Artistic Director Antony Pitts explains how intimate, small-scale performances of Messiah were his introduction to the beloved oratorio.
Artistic Director Antony Pitts explains how intimate, small-scale performances of Messiah were his introduction to the beloved oratorio.
Adelaide Chamber Singers’ 2021 season features three dynamic programs across three iconic Adelaide venues, and includes the premiere of a new work by Kerensa Briggs.
Joseph Nolan’s 2021 season includes the first fully professional performance of Bach’s Easter Oratorio in Perth and a brand new work by a WA composer.
Seasoned old mates take us to their Lieder for a blissful hour.
Christophers serves up more musical puffery to please the Merry Monarch.
Rattle leads a fine, modern recording of a Beethoven curiosity.
Stripped back Schubert as Schubert might have heard it.
Deborah Cheetham has composed a new carol for ABC Classic, which Australians are invited to record together. Russell Torrance talks to Limelight about the project and how he can't hear the music without crying.
The restrained but heartfelt emotion of Fauré’s Requiem cut through the downpour outside with reassuring harmony and warmth.
Michael Quinn talks to two of today’s brightest mezzo-sopranos, Kathryn Rudge and Elīna Garanča, about their very different readings of Elgar's Sea Pictures.
Enjoy the revival of a heavenly Mass composed by a Bohemian bon vivant.
We are delighted at the positive response to our new-look publication, and excited to reveal what you will find in the November issue, now at the printer.
Kastalsky’s grand design is a powerful plea for the coming together of nations.