This month's features include profiles of Australian choreographer Stephanie Lake and didge virtuoso William Barton, an interview with Mary Finsterer about her new opera Antarctica, Dr Anita Collins on why music makes us feel so good, and Peter Tregear on the winds of change at Opera Australia.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

The international siren and comedienne extraordinaire reveals the music that runs through her veins, and the thrill she gets singing with a full orchestra.

Log in to read the PDF version of Limelight's June 2022 magazine.

A glossy awards evening celebrating the achievements of women in all facets of the music industry.

The first announcement of shows includes an opening night tribute to Gurrumul and performances by Darwin Symphony Orchestra, NT Dance Company and The Australian Ballet.

As the election enters its final days, Fund the Arts evaluates the arts policies of the three main parties and several independents.

Labor announces its arts policy, but mostly just the vibe of the thing.

As the election enters its final days, the lack of arts policy from the two main parties sees industry bodies stepping into the void.

This month's features include profiles of Australian choreographer Stephanie Lake and didge virtuoso William Barton, an interview with Mary Finsterer about her new opera Antarctica, Dr Anita Collins on why music makes us feel so good, and Peter Tregear on the winds of change at Opera Australia.

Leya Reid and Georgie Cyrillo at NAVA argue that an arts and cultural policy, or National Cultural Plan, is essential if we are to start taking arts and culture seriously.

Fiona Winning, the curator of Sydney Opera House's UnWrapped, discusses the power of the Sydney Opera House brand to entice audiences to try something a little out of the ordinary.