The premiere of Frances Rings' dance work was a seminal moment. Ten years on, it has lost none of its freshness and echoes a groundswell of newfound interest.

This celebration of Li Cunxin’s first decade leading Queensland Ballet delivers yet another impressive first by the company, and showcases the breadth of its performance range.

Energy abounds in Manifesto, Stephanie Lake’s thrilling work for nine drummers and nine dancers.

The inaugural competition, pairing composers and choreographers to develop new works, has named Brisbane-based choreographer Monique Mangano with Blue Mountains composer Emma Greenhill.

Digital Stage launches with a library of free, paid and on-demand performances, and with great aspirations for bringing the best of Queensland to audiences around the world.

Rafael Bonachela’s monumental work from 2018 returns with mostly new dancers but the same impact.

This work may be small in scale, but it is a masterpiece that does justice to the father of modern science.

This production clearly fulfils choreographer Antony Hamilton's agenda to create images that help make sense of a wonky world.

International acts return for the first time in two years, alongside 20 world premieres, with more than half of the 500-odd performances offered free of charge.

As well as announcing the departure of its ED, The Australian Ballet has released its 2021 Annual Report and raised concerns about the significant impact when Melbourne's State Theatre is closed for three years.

Li Cunxin discusses his many achievements as QB Artistic Director, as well as the challenges in recent years, and the celebratory triple bill Li's Choice.

Industry bodies call on new government to immediately begin work to rebuild cultural sector.