Digital Stage launches with a library of free, paid and on-demand performances, and with great aspirations for bringing the best of Queensland to audiences around the world.
Rafael Bonachela’s monumental work from 2018 returns with mostly new dancers but the same impact.
This work may be small in scale, but it is a masterpiece that does justice to the father of modern science.
This production clearly fulfils choreographer Antony Hamilton's agenda to create images that help make sense of a wonky world.
International acts return for the first time in two years, alongside 20 world premieres, with more than half of the 500-odd performances offered free of charge.
As well as announcing the departure of its ED, The Australian Ballet has released its 2021 Annual Report and raised concerns about the significant impact when Melbourne's State Theatre is closed for three years.
Li Cunxin discusses his many achievements as QB Artistic Director, as well as the challenges in recent years, and the celebratory triple bill Li's Choice.
Industry bodies call on new government to immediately begin work to rebuild cultural sector.
"I’m still pinching myself," says Lake as her career hits top gear with her latest work, Manifesto.
This month's features include profiles of Australian choreographer Stephanie Lake and didge virtuoso William Barton, an interview with Mary Finsterer about her new opera Antarctica, Dr Anita Collins on why music makes us feel so good, and Peter Tregear on the winds of change at Opera Australia.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
The international siren and comedienne extraordinaire reveals the music that runs through her veins, and the thrill she gets singing with a full orchestra.
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