Review: Carmen (Opera Australia)
Danielle de Niese is incandescent in her role debut in a new OA Carmen that's great on character, great on relationships.
Danielle de Niese is incandescent in her role debut in a new OA Carmen that's great on character, great on relationships.
Decca boxes up Kaufmann's golden years, operas and all.
“This year’s nominees reflect the extraordinary depth and diversity of talent working in production design across the country,” says APDG President Michael Scott-Mitchell.
Celebrating 250 issues of Limelight, your go-to magazine for big ideas, bold music and the best live performance nationwide.
Another rediscovered gem from the man who taught Donizetti.
Log in to read the flipbook version of Limelight's July 2025 magazine.
On the 150th anniversary of Carmen, we talk to director Anne-Louise Sarks about her new production for Opera Australia.
This month features a double helping of Ravel, contemporary music by two leading Brits, the latest from the Takács Quartet and Benjamin Grosvenor, plus a Ponchielli rarity.
US-based Australian soprano and director Miriam Gordon-Stewart tells Jo Litson about her new documentary YAPs, which follows five aspiring young opera singers.
Composer Erik Satie, jazz singer Lisa Simone, clarinettist Michael Collins, a deep dive into a brand-new Carmen, and a Broadway hit about a 16-year-old going on 70. Limelight's July issue is essential reading.
Directed by Alexander Berlage, Nico Muhly and Laura Lethlean’s brand-new opera is a mini masterpiece that looks as captivating as it sounds.
Ponchielli’s pre-Gioconda hit given a fair suck of the sauce bottle.
The MSO Cybec Assistant Conductor wins the Khachaturian International Competition and Berlin Music Opera Award.