The Australian World Orchestra: more than the sum of its parts
As violinist Natalie Chee returns home to play Mahler's Symphony No. 9 with the AWO, she explains why it's so exciting to be part of the orchestra.
As violinist Natalie Chee returns home to play Mahler's Symphony No. 9 with the AWO, she explains why it's so exciting to be part of the orchestra.
Epic sampling of a Hollywood maestro’s Brontë opera whets the appetite.
Dohr can command all the rich, round tone quality that this instrument is known for, but it is the security and lustre of his soft playing that is most remarkable.
No grounds for complaint as French Baroque violinist Théotime Langlois de Swarte shows why he's a rising star.
It’s time to vote for the Australian and international artists you’d most like to see honoured in this year’s Limelight Awards.
Orchestra Victoria's Indie Symphony showcases video game music "every bit as moving, melodic and evocative” as classical concert hall fare.
The SSO's Chief Conductor Simone Young talks to Limelight about some of her personal highlights in the upcoming season.
An imaginative program, played with conviction.
The Brandies celebrate key musical infrastructure in its 2024 season, from Notre Dame to Handel’s House.
Log in to read the PDF version of Limelight's September 2023 magazine.
Théotime Langlois de Swarte didn’t choose the life of a Baroque violinist; it chose him. He discusses the 1665 Jacob Stainer violin he plays.
Conductor Rick Prakhoff and violist George Deutsch reveal ambitious plan for the Zelman Memorial Symphony Orchestra’s 90th birthday.
Justin Williams discusses his First Symphony, which the Queensland Symphony Orchestra will debut alongside Mahler’s Symphony No. 6.