Opera Australia’s new CEO on COVID and the challenge ahead
Fiona Allan arrives at OA later this year with her eyes wide open, having dealt with similar challenges at the Birmingham Hippodrome due to COVID restrictions.
Fiona Allan arrives at OA later this year with her eyes wide open, having dealt with similar challenges at the Birmingham Hippodrome due to COVID restrictions.
First performed by Steamworks Arts in 2001, the same actors reprise their roles in Alana Valentine's powerful play about emotional conflict.
The federal government has announced additional funding of $20 million for Support Act and $15 million for its Sustainability Fund.
The worsening COVID situation in the eastern states has led to more cancellations this week, with events cancelled or postponed across NSW, Victoria and Queensland.
The Dismissal, a co-production between Sydney Theatre Company, Squabbalogic and the Canberra Theatre Centre, which was to have opened in Canberra in October, will not proceed.
Programmed by Artistic Director Annette Shun Wah, OzAsia Festival 2021 features 300 artists including musicians Belle Chen and Mindy Meng Wang, writer Benjamin Law, and dancer Raghav Handa.
The largest gift Bell Shakespeare has ever received, from the Neilson Foundation, will fund company's new studio space, The Neilson Nutshell at Pier 2/3, Walsh Bay in Sydney.
The Australian World Orchestra, ANAM, State Opera South Australia and Bluesfest are among the 82 arts organisations to receive grants in the latest round of RISE funding.
Entertainer James Bustar has produced an impassioned video in which 30 artists talk about the devastating impact the pandemic has had on their careers and mental health.
La Boite’s CAESAR pulls apart not only Shakespeare’s text, but the process and shortcomings of theatre making itself.
The Creativity in Crisis report calls for a complete overhaul of arts funding in Australia, and a reworking of government policy, to reflect the vital role played by the arts in not just our economy, but our understanding of what it is to be human.
McMaster will take over the position from Robert Love, who did extraordinary work as Director of Riverside Theatres, Parramatta for two decades.
While the classic musical still shines, the seething undercurrent of passion, frustration and aggression is generally lacking in this production, despite some powerful moments.