“As a building, Jørn Utzon’s creation needs no introduction,” writes Ashleigh Wilson in the introduction to the newly published book Transcendence: 50 Years of Unforgettable Moments at the Sydney Opera House.
While celebrating the Opera House’s first half-century, Transcendence is not about the building as such, but a reflection on what the building has meant to some of the artists who have passed through its doors, either as performers or audience members.
The book brings together 50 personal memories from 50 artists across 50 years. “In their own way, they are transformative moments,” writes Wilson. “They endure with a kind of potency – raw, revelatory and powerfully alive. These are also stories that reveal as much about the Opera House as they do about the city itself.”
Wilson is the editor of Transcendence. A former arts journalist and editor at The Australian, he is the author of Brett Whiteley: Art, Life and the Other Thing, and now works at the Sydney Opera House.
He came up with the idea for the book as a way to help...
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