Review: The Boy Who Talked To Dogs (Slingsby, State Theatre Company South Australia, Adelaide Festival)
World Premiere proves love is a four-legged word.
World Premiere proves love is a four-legged word.
Alexander Berlage's colour saturated, overblown production of Mel Brooks' musical doesn't quite find its groove though there's still much to enjoy.
This Australian premiere rightly challenges us to the point of discomfort, raising more questions than it answers.
Yaron Lifschitz, AD of Circa, explains how Aardman's much-loved animated TV show is playing tricks in Brisbane.
Features this month explore the redevelopment of Adelaide's Her Majesty's Theatre, Margaret Sutherland's Violin Concerto, Andrew Ford's Red Dirt Hymns project, and the musical Hamilton.
Find out what's on stage – and streaming online – in January & February from Limelight editors Jo Litson, Angus McPherson and Clive Paget.
The Artistic Director of Queensland Theatre salutes a primary school music program, which has proved a real gift for life.
Jo Litson talks to producer Michael Cassel and two cast members about creating a distinctly Australian-looking production of Hamilton, and why that’s so important.
An ambitious new production about Australian asylum seekers, which is above all an act of generous storytelling.
With live music operating at under four percent of pre-COVID levels, more than 3,500 music industry artists, workers, venues and businesses have signed an Open Letter to the Australian Government calling for JobKeeper to be extended.
Clever, twisting storytelling keeps us hooked in a play about sexuality, celebrity and the harm done when success is all that counts.
A fast-paced, emotionally gripping work examining the dynamics of power in parenting and relationships.
A vein-throbbing, sure-fire crowd-pleaser, suitable for families, this show will leave you shook.