An eclectic, affecting program of unaccompanied music inspired by centuries of romantic pain and loss.

Ahead of its world premiere at Canberra International Music Festival, composer Andrew Ford talks about the evolution of a hymnal to the land.

Superbloom is a sterling test of ensemble skill, versatility and musicianship – and of the listener's appetite for challenge.

Making the most of a spectacular setting, Stephen Page’s first work since leaving Bangarra is surprisingly intimate given its grand scale.

Anne Cawrse and Kate Llewellyn’s song cycle is a transcendent work, its world premiere hopefully the first of many more performances to come.

The Australian Chamber Choir reconstructs the music of an 18th century composer almost lost to the ages – Agatha della Pietà.

South Africa's ultimate feel-good ambassadors. The more you engage with them, the more you want.

For composer Shauna Beesley, winner of this year's Willgoss Prize, "choral singing is one of the human race’s highest achievements".

After 12 months of existential uncertainty, the future of the BBC Singers now appears secure.

The American mezzo-soprano is making her Australian debut in Mahler 3 with Melbourne Symphony Orchestra. She just wishes she could have brought her dog.

Kate Llewellyn’s new poem Faith has been set to music by Anne Cawrse for the Adelaide Chamber Singers, who will perform it at the Adelaide Biennial of Australian Art.

Vänskä celebrates his farewell to Minnesota in spectacular style.