Review: The Creation (Sydney Chamber Choir/Australian Haydn Ensemble)
Australia's first-ever period-instrument presentation of The Creation reveals the fresh vitality and range of colours in Haydn’s score.
Australia's first-ever period-instrument presentation of The Creation reveals the fresh vitality and range of colours in Haydn’s score.
ABC's May schedule features dazzling concerts from Australian Chamber Orchestra, The Metropolitan Opera and more.
A thoughtful French account of Bach’s universal masterwork.
The noise of the city is an assault on the ears, says the aurally sensitive Guy Noble. But a beautiful voice is another matter.
The big guns are out this month with box sets from Decca and DG, but other labels have plenty on offer, including an outstanding vocal recital from Nicky Spence.
The founder and Chair of the Hush Foundation tells us about the benefits of music, and Hush’s latest album.
Arrigo Boito is best known as the librettist for Verdi's Otello and Falstaff, but he was also a composer. As Opera Australia prepares to stage his only opera, Mahima Macchione traces his career.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
The Gesualdo Six on top form in this excellent program of Holy Week music.
Roland Peelman explores the genesis of Haydn’s Creation, from the high-minded philosophy of The Enlightenment to the very real motivation of a large commission!
From heroic vocals to inner vision, Nicky Spence’s Vaughan Williams has it all.
From Jazz Age pastiche to wartime propaganda, this is Walton at the top of his game.
Bach’s magnificent Easter offering is given its due reward by a crack team.