Rising Star: soprano Michelle Ryan
The recipient of the 2020 German-Australian Opera Grant talks about breaking into the industry, finding success on the competition circuit, and tackling singspiel.
The recipient of the 2020 German-Australian Opera Grant talks about breaking into the industry, finding success on the competition circuit, and tackling singspiel.
A fine valedictory celebration as Stephen Cleobury bids King’s farewell.
Magnificent soundscapes from a neglected polychoral master.
Lam sets award-winning poetry to produce new forms of lieder.
We were glad: Paul McCreesh plays a blinder for the English.
Six Australian compositions have been shortlisted for the prestigious Orchestral and Song Cycle prizes, which will be announced at this year’s Peggy Glanville-Hicks Address.
Christopher Watson, Director of Music at The Choir of Trinity College, Melbourne, discusses Land of Dreams, Limelight's Recording of the Month for October.
They had a dream: Trinity’s ardent young choir sings of reconciliation.
Vespers in the afternoon prove a delightful spring treat.
In Brett Weymark and Sydney Philharmonia Choirs, Dvořák’s rarely performed Requiem has found convincing advocates.
Sam Allchurch reports on the restoration of one of Sydney’s most historic and musical churches, Christ Church St Laurence.
The beloved broadcaster tells us about her favourite Requiems, and why Berlioz didn't make the cut, ahead of her new series on ABC Classic.
The tenor tells us about recording Janáček’s The Diary of One Who Disappeared, Limelight's Recording of the Month in September.