Review: Gluck: Orphée et Euridice (Teatro alla Scala/Mariotti)
Flórez helps explore Hofesh Shechter’s seven stages of grief.
August 8, 2019
Review: Heinichen: Flavio Crispo (Il Gusto Barocco/Jörg Halubek)
Heinichen’s forgotten Roman blockbuster is a heady brew.
August 8, 2019
Review: Donizetti: L’Ange de Nisida (Sir Mark Elder)
Angel takes wing as Donizetti’s lost opera is revisited at last.
August 8, 2019
Review: The Orchestral Music of Jonathan Dove (BBC Philharmonic, Timothy Redmond)
Dove gets his due: Maximum colour and excitement from a post-minimalist.
August 8, 2019
Review: Love is Come Again (Monteverdi Choir, English Baroque Soloists/Gardiner)
Gardiner’s Easters in rural England here lovingly evoked.
July 30, 2019
Review: Songs of Renewal (Bath Camerata/Benjamin Goodson)
New music for a new era from one of the UK’s finest choirs.
July 30, 2019
Review: If (Iestyn Davies, Fretwork)
Musical worlds collide fruitfully in Iestyn Davies’ latest recital.
July 30, 2019
Review: Telemann: Michaelis-Oratorium (Kölner Akademie/Michael Alexander Willens)
Late Telemann showcases rebuilt Baroque splendour.
July 30, 2019
Review: Schumann: Liederkreis, Kernerlieder (Matthias Goerne, Leif Ove Andsnes)
Head and heart: Goerne and Andsnes mix drama and poetry.
July 30, 2019
Review: Piano Book (Lang Lang)
In the right hands, even Twinkle Twinkle can shine again.
July 30, 2019
Review: John McCabe: Organ works (Tom Winpenny)
Fine performances, not without some whimsy.
July 22, 2019
Review: The Guitar (Rupert Boyd)
Fine playing from an Australian guitarist in New York.
July 22, 2019
Review: Rathaus: Piano Works Volume 1 (Daniel Wnukowski)
Early piano musings from a neglected symphonist.
July 22, 2019