Review: Mendelssohn in Birmingham: Overtures (CBSO/Gardner)
A superbly played conclusion to an enterprising series.
A superbly played conclusion to an enterprising series.
An ambitious debut that captures Europe on the brink of disaster.
Surprises are in store with Saint-Saëns’ lesser-known symphonies.
Davis’ and Müller-Schott’s Knight Errant portrait doesn’t err.
Three compelling orchestral episodes from the life of Brian.
Matthews’ latest proves they do write music like that nowadays.
Fine Finnish fare: Oramo’s Sibelius is laced with insights.
Harteros heads a Tosca that perhaps should have offended more.
Russian soprano displays her Mozart credentials and more.
Flórez helps explore Hofesh Shechter’s seven stages of grief.
Heinichen’s forgotten Roman blockbuster is a heady brew.
Angel takes wing as Donizetti’s lost opera is revisited at last.
Dove gets his due: Maximum colour and excitement from a post-minimalist.