This March marks 10 years since Brisbane’s “post-genre music and arts series” Dots+Loops put on their first show, one that aimed to “explore the spaces in between a traditional classical concert, an underground club gig, and an experimental art show”.
To celebrate the milestone, Dots+Loops is about to throw itself a multi-sensory birthday spectacular, Dots+Loops REWIND, on 16 March at Brisbane’s Powerhouse, featuring highlights from previous shows by the likes of Kate Moore, Chris Perren and Pamela Z.
Ahead of the birthday bash, Dots+Loops Co-directors Kieran Welch, Connor D’Netto and Flora Wong talk about what that first decade meant for them.
Kieran, what is the most memorable thing for you about that first show?
Ooh, there are so many things. I can still remember getting ready in the green room, and being so nervous but also excited. I remember how much Chris [Perren]’s piece Go Seigen vs. Fujisawa Kuranosuke meant to me, and really hoping it would translate to the audience. I remember being surprised that so many people actually came – and cared!
But if I have to choose one thing,...
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