Long recognised as one of the country’s most versatile pit orchestras, Orchestra Victoria is now a storyteller in its own right.

Nathan Waks hopes that "tokenized fractional ownership” will keep his 1740 Carcassi cello on the stage rather than in a collector's vault.

From Barrie Kosky finding the new in Wagner to Sheridan Harbridge on women who refuse to conform, May's issue of Limelight is a celebration of talent, resilience and audacity.

Four emerging composers will write a brand-new work for the ensemble to be premiered in the Sydney Opera House's Utzon Room.

Throughout his long leadership of the National Institute of Dramatic Art, Clark demonstrated a rare ability to align artistic ambition with institutional strategy.

Weiss becomes the first Australian to conduct a subscription concert with the Boston Symphony Orchestra.

Callum Linnane leaves The Australian Ballet for Principal Artist role with Hamburg Ballet.

Michael Napthali announced as incoming Chief Executive Officer of Omega Ensemble.

Raewyn Hill, Artistic Director of Perth's Co3 Contemporary Dance, steps away from the company she founded.

"A festival of risks, of leaps of faith," promises incoming Artistic Director Reuben Kaye.

The Australian National Academy of Music launches a “time capsule” project capturing three decades of institutional life through the voices of those who have shaped it.

Pianist Danaë Killian receives the “life- and career-changing” award honouring the achievements of Australian musician and composer Michael Kieran Harvey.