The June 2026 issue of Limelight is now available, and hard copies are on their way to those with print subscriptions.
Limelight is available digitally in two formats. You can explore the magazine in a traditional format with our flipbook version, or read each article individually through our website.
You can also find Limelight on Zinio – read on any device or download to enjoy offline. (Separate subscription required.)
Click below to choose your preferred format, or continue reading to find out what’s inside the June 2026 issue of Limelight.
Features
Inspired by Jack Liebeck, we survey classical music’s oddest, most grisly deaths.
by Clive Paget
The pressures and funding models reshaping arts organisations’ programming.
by Samuel Cairnduff
Yve Blake discusses her radical reimaging of Macbeth for Bell Shakespeare.
by Lenny Ann Low
Unlock exclusive access to Limelight‘s premium reviews, insights and stories with a subscription today.
Subscribe, renew or gift by 21 June and you could win tickets and accommodation to the Australian World Orchestra’s Stravinsky, Mills & Shostakovich concert in Sydney or Melbourne in August. Melbourne accommodation supplied by Sofitel on Collins.
- Best Value: Print + Digital
Save up to 50% on print editions, plus free digital access and delivery straight to your door.
- Digital Access
Get unlimited paywalled content from just $4/month – no barriers to the arts and culture you love.
Also in this issue ...
- On Stage: the buzz around live performance
- Newsworthy: a round-up of our recent news reports
- Comings & Goings: the latest arts appointments and departures
- Lawrence Power: interview by Steve Dow
- On the Record: new classical albums round-up by Clive Paget
- Cutting Edge: Bark Tin Band: interview by Paolo Hooke
- John Andrews, conductor: interview by Clive Paget
- Bennelong in London: Jane Harrison’s new play by Steve Dow
- Kids, Wait Till You Hear This! by Liza Minelli: book review by Diana Simmonds
- Sound of Falling: film review by Jason Blake
- On Air & Online: radio and streaming concert highlights
- Guy Noble’s Soapbox: Rowdy Crowds
- Playing Up: the piccolo by Linda Stuckey
- World Premiere: Anne Cawrse for Adelaide Symphony Orchestra
- Five Questions: Reuben Kaye, Artistic Director of Adelaide Cabaret Festival
- My Music: Brian Kjim, Head of Music Education at Penrith Conservatorium
New playlists ...
Comments
Log in to start the conversation.