One of Australia’s leading professional vocal ensembles, the Sydney-based The Song Company, is set to cease operations after its Board resolved to appoint a liquidator, bringing an end to one of the nation’s most influential chamber music organisations after more than four decades.

The announcement comes in the wake of its recent tour of a program of motets for double choir by German early-Baroque composer Heinrich Schütz, Der Schwanengesang. The company was placed into receivership in 2019 when it faced the possibility of becoming insolvent were it to continue trading.

The Song Company performing at its 40th Anniversary Gala in 2024. Photo © Peter Hislop

In a statement issued to supporters today, Wednesday 10 June, the Board said the decision followed extensive efforts to secure the company’s future.

“After thorough consideration of our financial position and future sustainability, the Board has resolved to appoint a liquidator,” the statement said.

“We recognise this news will be deeply disappointing, particularly for those who have a long and personal connection with The Song Company.”

The Board said liquidation was the “most responsible course of action” after alternative options had been explored. All future concerts and projects are not expected not to proceed.

The company thanked audiences, donors and supporters for their commitment over its 42-year history, saying their backing had enabled “extraordinary artistic work and lasting cultural impact”.

The Song Company, circa 1984.

Founded in Sydney in 1984 by the late conductor and music educator Charles Colman under the auspices of Sydney Philharmonia, The Song Company was established to fill what Colman saw as a gap in Australia’s professional vocal music landscape.

Initially formed as an eight-voice ensemble, the group focused on madrigals, Renaissance polyphony and other a cappella repertoire, while also embracing staged works and cabaret performances. Its first performance took place at Rothbury Estate in the Hunter Valley.

The ensemble quickly gained national recognition, appearing at the Adelaide Festival in 1986 and building a reputation for artistic excellence and adventurous programming.

Following Colman’s departure in 1988 due to ill health, leadership passed to John Grundy before Belgian-born conductor Roland Peelman took the helm in 1990. Under Peelman’s long tenure, the company expanded its artistic reach and became known for innovative collaborations and commissions.

Over the decades, The Song Company developed a reputation as Australia’s premier professional vocal ensemble, performing repertoire spanning more than a millennium, from 10th-century sacred music to contemporary works by Australian and international composers.

The company has worked with many of Australia’s leading singers and composers and has toured extensively both nationally and internationally.

The Board said further information would be provided once a liquidator had been formally appointed.

“The Board intends to work to ensure that this process is handled with care, transparency and respect for all involved,” the statement said.