Having been placed in the top three of the prestigious Van Cliburn International Piano Competition, Sean Chen’s debut CD comes with certain expectations. Although the works he has chosen for this live performance cover well-trodden ground, his powerful technique and highly musical phrasing ensure that even familiar works such as Beethoven’s Hammerklavier Sonata sound bold and fresh-faced.

I was particularly taken with his recording of Brahms’ Variations on an Original Theme. It’s a work I’ve heard several times before, and I have to confess that I’ve never been very taken with it. However, Chen’s performance brings out the lightness that is so often missing – there are some wonderfully delicate moments, and his phrasings are remarkably natural. Although an unusual choice for a concert closer (why venture into the 20th century for only a few minutes after over an hour of lush romantic writing?), Bartók’s Etudes close the CD with a wonderfully acidic bite.

Perhaps it’s because this is a live recording, but the more bass-heavy passages in the Beethoven and Brahms become rather smudged at times. If you prefer your Romantic music to be cleanly delineated, this may a concern. That being said, there’s an irresistible sense of thrust and drive in the faster movements that more than makes up for any hesitation about the sound quality.

 

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