It may have one of the oddest of opera plots – and even odder source material – but there’s a reason William Christie chose Atys to kickstart the Lully revival nearly 40 years ago. Quite simply, it is the composer’s masterpiece, a work that for its dramatic forward momentum, intensity of emotions and lyrical warmth stands head and shoulders above much else that was around at the time. That view is supported by the plethora of recent recordings – this is the third in as many years – but Alexis Kossenko’s reading is a head-and-shoulders winner, meaning that at last, the Christie has a respectable rival.

Atys premiered at Fontainebleau in 1677, and although it bombed with the public, Louis XIV loved it so much that it became known as “the king’s opera”. Set in ancient Phrygia, Atys, a courtly shepherd, is in love with the river nymph Sangaride. Although he pretends indifference at first, his love is reciprocated, which is unfortunate as Sangaride is betrothed to King Celenus. Worse is to come. The goddess Cybèle also has the hots for Atys...