With Yeol Eum Son on piano and conducted by Eivind Aadland, this program of works by Maria Grenfell, Chopin, Moszkowski and Mendelssohn was rich in the flavours of Poland, Italy and the Apple Isle.
Cool, charming and charismatic, Chen dazzles with his fourth Strad.
Cameron Lam explores Australian music written for brass instruments, from tubas and trombones, to double bell trumpets and a 19-century ophicleide.
The MSO and its new Chief Conductor are still feeling each other out, but Jaime Martín's ebullient and dynamic presence can't be ignored.
All-Australian, all-female, all-percussion – the future is here in striking release.
One of Australia's leading percussionists and advocates for change is determined to diversify the repertoire – even if she has to do it all herself.
Cameron Lam's playlist for July features music from Tasmania and from composers with strong ties to the island state.
This generous, well-chosen overview of Australian composition by women, curated by Anne Cawrse for Adelaide Symphony Orchestra's She Speaks, was eloquently and sympathetically played.
The composers will spend two years with the Australian Composers' School, workshopping music with the Tasmanian Symphony Orchestra.
Cameron Lam spotlights the flute in his latest playlist of new Australian music.
TSO House will showcase Tasmanian composers past and present, with music available to hire to orchestras, community ensembles and schools around the world.
Greater diversity in revamped categories sees the established go head-to-head with the up-and-coming.
Perfect compilation proves Aussie sisters have been doing it for themselves for a century.
