Review: Juliet & Romeo (Lost Dog/Adelaide Festival)
Juliet & Romeo suffers from a confused concept, and unfortunately even the choreography and dancing are brought down by shallow writing and music.
March 8, 2022
Benjamin Northey explores choral, and prayerful, masterpieces
Prayer for the Living features music by Vasks and Ravel alongside Boulanger and Poulenc.
March 7, 2022
Review: Haydn’s Solar Poetics (Australian Haydn Ensemble/Adelaide Festival)
An inspired concert series showcasing the foundations of the Classical era of music
March 7, 2022
Review: The Rite of Spring/common grounds[s] (Adelaide Festival)
This momentous double bill was yet another must-see event in the opening weekend at the 2022 Adelaide Festival.
March 6, 2022
Review: Watershed: The Death of Dr Duncan (Adelaide Festival)
The standing ovation and tears that greeted the world premiere of this oratorio about an infamous gay-hate crime are testimony for the need for such a work.
March 4, 2022
Review: Girls & Boys (State Theatre Company South Australia)
Justine Clarke gives an utterly remarkable performance in this heart-rending one-woman play.
March 2, 2022
Adelaide Festival presses ahead with The Golden Cockerel as sanctions bite Russian artists
As nations around the world enact economic sanctions, cultural organisations are taking action against supporters of Vladimir Putin.
February 28, 2022
Review: Blindness (Donmar Warehouse/Adelaide Festival)
Blindness is an immersive, challenging theatrical experience performed by one of Britain’s best actors.
February 24, 2022
Comings and Goings: March 2022
The latest arts appointments and departures.
February 21, 2022
Five Questions for Joseph Twist
The Australian composer discusses his new oratorio Watershed: The Death of Dr Duncan, which premieres at the Adelaide Festival.
February 21, 2022
On Stage: the events you need to see in March 2022
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
February 21, 2022
Skye McIntosh gives us the time of day for Haydn’s Solar Poetics
Ahead of Haydn’s Solar Poetics, their three-concerts-in-a-day extravaganza, Australian Haydn Ensemble artistic director Skye McIntosh talks about the year ahead - AHE's 10th.
February 17, 2022
Erin Helyard plans to resonate in South Australia
Pinchgut's AD talks about 'old' pianos and curating a multi-concert series at UKARIA, running over a long weekend, for the Adelaide Festival.
February 14, 2022