Review: After Kreutzer (Anna Goldsworthy and Andrew Haveron/Adelaide Festival)
Anna Goldsworthy and Andrew Haveron combine Tolstoy and Beethoven to make a powerful statement about obsession and the objectification of women.
Anna Goldsworthy and Andrew Haveron combine Tolstoy and Beethoven to make a powerful statement about obsession and the objectification of women.
In a last minute addition to this year's Festival, Shamray and the ASQ gave an eloquent and refined performance.
Juliet & Romeo suffers from a confused concept, and unfortunately even the choreography and dancing are brought down by shallow writing and music.
Prayer for the Living features music by Vasks and Ravel alongside Boulanger and Poulenc.
An inspired concert series showcasing the foundations of the Classical era of music
This momentous double bill was yet another must-see event in the opening weekend at the 2022 Adelaide Festival.
The standing ovation and tears that greeted the world premiere of this oratorio about an infamous gay-hate crime are testimony for the need for such a work.
Justine Clarke gives an utterly remarkable performance in this heart-rending one-woman play.
As nations around the world enact economic sanctions, cultural organisations are taking action against supporters of Vladimir Putin.
Blindness is an immersive, challenging theatrical experience performed by one of Britain’s best actors.
The latest arts appointments and departures.
The Australian composer discusses his new oratorio Watershed: The Death of Dr Duncan, which premieres at the Adelaide Festival.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.