Ahead of Haydn’s Solar Poetics, their three-concerts-in-a-day extravaganza, Australian Haydn Ensemble artistic director Skye McIntosh talks about the year ahead - AHE's 10th.
Pinchgut's AD talks about 'old' pianos and curating a multi-concert series at UKARIA, running over a long weekend, for the Adelaide Festival.
Adelaide Festival has announced Kath M Mainland as Chief Executive, while in December Lou Oppenheim was appointed as Executive Director of Sydney Dance Company.
Deborah Cheetham talks with Chi-chi Nwanoku about tackling the lack of diversity in classical music.
What have our opera and dance companies programmed this year?
What have our festivals programmed this year?
What have our small to medium ensembles programmed this year?
173 projects have received funding in the Australia Council's latest round of grants, including Adelaide Festival, Australian Digital Concert Hall, Katie Noonan's AVÉ and Noongar artist Gina Williams.
The 2022 Adelaide Festival program from Joint Artistic Directors Neil Armfield and Rachel Healy features 71 events including nine world premieres and six Australian premieres.
In this month's features we talk to Barrie Kosky about The Golden Cockerel, run an extract by Leigh Sales from the book Well Hello, explore the role of music reviewers today, and examine the pleasures and perils of writing music for the screen.
Why Barrie Kosky’s strange, dreamlike staging of The Golden Cockerel is unlike any other production of Rimsky-Korsakov’s final opera.
We chart the latest appointments and departures in the arts sector, among them Anne Dunn who joins Sydney Theatre Company and Carl Crossin who leaves Adelaide Chamber Singers.
Barrie Kosky returns to the Adelaide Festival with his third operatic production, Rimsky-Korsakov’s The Golden Cockerel.
