Barrie Kosky: bad boy makes good
The one-time enfant terrible is now the toast of Covent Garden and Glyndebourne and runs his own opera company in Berlin.
February 16, 2017
Rachel Healy on the advantages of lying about Handel
Wooed off grunge by Maurizio Pollini, now the Adelaide Festival chief loves all sorts of music, preferably unfiltered by labels. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
October 17, 2016
Adelaide Festival announces three more big hitters for 2017
Miriam Margoyles meets the Adelaide Symphony, The Secret River in a quarry and Cate Blanchett’s 'spiderwoman' top the bill.
September 23, 2016
Adelaide and Edinburgh team up in Festivals agreement
The two cultural powerhouses have set joint goals for artistic, business and community collaboration over the next three years. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
August 17, 2016
Adelaide Festival deplores Bill Leak’s “disgraceful cartoon”
The Festival and a major bank review their advertising with The Australian following Leak’s cartoon, widely criticised as racist. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
August 8, 2016
Barrie Kosky’s Saul to headline Adelaide Festival 2017
Glyndebourne hit leads Neil Armfield and Rachel Healy’s inaugural programme – but don’t expect blood and dildos. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
August 4, 2016
Review: Review: Nelken (Tanztheater Wuppertal Pina Bausch, Adelaide Festival)
★★★★★ This 1982 masterpiece is an unequivocal demonstration of the visionary dancemaker’s enduring power. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
March 11, 2016
Review: Review: Golem (1927, Adelaide Festival)
★★★★☆ A mix of sardonic wit and visual spectacle that tells a contemporary story with retro charm. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
March 10, 2016
Review: Exquisite Corpse (Zephyr Quartet)
★★★★½ Extraordinary world premiere shifts the boundaries of Surrealism game. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
March 8, 2016
Going Golem: 1927’s anti-phone fable
The cutting-edge British theatre-makers take aim at our modern obsession with our mobile devices. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
March 8, 2016
Review: Review: The James Plays (NTS, NT, Adelaide Festival)
★★★★★ Eleven hours, three plays and one huge standing ovation for Rona Munro’s Scottish trilogy. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 29, 2016
Review: Review: Go Down, Moses (Socìetas Raffaello Sanzio)
★★★★½ Technically brilliant, conceptually challenging and wholly engaging. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 26, 2016
Adelaide arts industry braced for funding cuts
SA Arts Minister announces Adelaide Festival and other organisations will face cuts in the next financial year. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 26, 2016