Review: Peter and the Wolf (Adelaide Symphony Orchestra, Adelaide Festival)
Miriam Margolyes and the ASO are a dream team, their respect and love for orchestral music is infectious.
March 12, 2017
Review: Monteverdi’s L’Orfeo (Concerto Italiano, Adelaide Festival)
Musically mind-blowing – a highly talented, intelligent collaborative period music ensemble.
March 7, 2017
Review: Gardens Speak (Adelaide Festival)
This beautifully conceived interactive installation is an act of remembrance and of gentle protest.
March 5, 2017
Review: Richard III (Schaubühne Berlin, Adelaide Festival)
Eidinger’s pissing and puking monarch is the dark heart of Ostermeier’s Germanic staging.
March 5, 2017
Review: Intimate Space (Restless Dance Theatre, Adelaide Festival)
Dynamic world premiere is a close encounter that charms and disarms.
March 4, 2017
Review: Saul (Glyndebourne Opera, Adelaide Festival)
Kosky’s baroque extravaganza could power SA’s electricity grid for a month.
March 3, 2017
Secret River makes a powerful start to Adelaide Festival 2017
Neil Armfield’s staging won five-star reviews, but staging it in the Australian landscape takes it to new level. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
March 3, 2017
Adelaide Fest opens doors to students for sold out Saul
Students can purchase $50 tickets to attend the final dress rehearsal of Barrie Kosky’s sold out opera production. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 26, 2017
“Opera invades your dreams,” says Neil Armfield
The renowned Australian stage director’s love of music and opera goes back to school days at Homebush Boys High. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 22, 2017
Adelaide Festival offers $5 student tix and Pay What You Can
Teens and concession card holders have greater opportunities to attend the Fest with the return of accessibility schemes. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 20, 2017
Barrie Kosky: bad boy makes good
The one-time enfant terrible is now the toast of Covent Garden and Glyndebourne and runs his own opera company in Berlin.
February 16, 2017
Rachel Healy on the advantages of lying about Handel
Wooed off grunge by Maurizio Pollini, now the Adelaide Festival chief loves all sorts of music, preferably unfiltered by labels. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
October 17, 2016
Adelaide Festival announces three more big hitters for 2017
Miriam Margoyles meets the Adelaide Symphony, The Secret River in a quarry and Cate Blanchett’s 'spiderwoman' top the bill.
September 23, 2016