Belgian director Ivo van Hove returns to the Adelaide Festival with another thrilling, epic production.

Israel Galván, a toreador of dance and stage chameleon, is headed for Adelaide.

The March 2018 issue of Limelight Magazine features Australian star soprano destined to follow Sutherland to the very top – meet Nicole Car.

From Glyndebourne rehearsal room to triumphant opening night, British tenor Allan Clayton recalls the roller coaster ride involved in bringing Brett Dean’s complicated new Hamlet to life.

Subscribe or renew your subscription to Limelight magazine before Friday February 9 to receive our March 2018 issue, delivered from February 22.

The dancer-choreographer will appear in XENOS in 2018, a fitting bookend to his Australian appearances. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

After a dazzling reception at Glyndebourne, Neil Armfield's production is coming to Adelaide – without a dog as Horatio.

The star of Rufus Wainwright’s Adelaide Festival opera talks us through the highs and the lows of life as a Prima Donna Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Neil Armfield and Rachel Healy's debut programme has finished with the biggest takings in the Festival's history.

Judy's ruby slippers dazzled, as did the vocally brilliant Jacqueline Dark singing Régine Saint Laurent.

Magnetic world premiere, a perfect combination of fluidity, mettle and danger.

The Italian ensemble fail to captivate in a performance marred by tuning issues, wrong notes and a lack of verve.