Review: Rinaldo (Pinchgut Opera)
Pinchgut's superlative specialist cast of singers polish Handel's 1715 hit to a dazzling shine.
Pinchgut's superlative specialist cast of singers polish Handel's 1715 hit to a dazzling shine.
Nicholas Buc has written the music for a new oratorio called Origins, which draws on science to tell the creation story.
Christopher Bowen’s new choral work, based on former Prime Minister Keating's Redfern speech, expresses our determination to reconcile, atone and work to a shared future with First Nations people.
In his latest choral work, Christopher Bowen has drawn on Keating's famous Redfern Speech. He tells us why, and about the feedback he got from Daniel Barenboim.
Helena Dix dazzles in this bel canto rarity, given a clever House of Gucci makeover.
The Wedding Singer swept the musical theatre categories as the Green Room Awards recognised productions throughout the last two years.
Hearing Handel's magnificent oratorio performed in mid-winter, rather than in the heat of an Australian Christmas, added to the magic.
The assured quality of Melbourne Bach Choir's performance belied the many pandemic-induced obstacles and sheer hard work it took to get there.
Tchaikovsky's final opera gets a clever and thoughtful reworking that gave Iolanta the chance to tell her own story.
Kanen Breen dazzles in a riotous production of Rameau’s comedy directed by Neil Armfield.
The West Australian Orchestra, conductor Asher Fisch and soloists Elena Perroni and Adrian Tamburini navigated Brahms' German Requiem beautifully.
The little company that could makes an impressive contribution to Melbourne’s merry month of Verdi.
When Melbourne Opera performs Macbeth next month audiences can see it live at the theatre, via a regular livestream or in 8K 3D via VR headsets.