US-based AI music tool Suno is breaching copyright by training its data on protected music, a German court has found. Damages will be paid.

Australian artists and organisations representing them have urged the Albanese Government to resist Big Tech's pushback on copyright laws.

An investigation by The Atlantic reveals music by Liza Lim, Ross Edwards, Brett Dean, Elena Kats-Chernin in datasets used to train AI.

"The AI industry has had every opportunity to treat Australian creators as partners rather than a cost to be avoided ... they have chosen not to," says Dean Ormston.

After a backlash, the move was defended by its CEO as a "controlled" use of the AI that can generate revenue for participating artists.

The local music industry grows in value but venue closures, inflation and audiences prioritising international artists add up to a hip pocket hit for artists.

Hollywood workers have valid reason for their unease. AI might just steal the show.

A robot conductor will lead the National Orchestra of Korea in an upcoming concert. Time to be paranoid about androids?

Pandora’s box has been opened and one way or another, musicians will need to find ways to work with AI-based tools.

Music industry behemoth Universal Music Group leans on streaming platforms to clamp down on AI-generated music.

Jukedeck uses artificial intelligence to create royalty free music – but will it ever compose a symphony? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in