Review: Stuart Skelton Sings Wagner (WASO)
★★★★☆ Sublime performances from WASO’s Wagnerian dream team. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★☆ Sublime performances from WASO’s Wagnerian dream team. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Despite a sprawling plot that offers precious little in the way of hope for humanity, La Forza del Destino is blessed with one of Verdi’s finest scores. Martin Kušej’s psychologically complex staging for Bavarian State Opera won’t appeal if you’re looking for a chocolate-box production, but it packs a punch and makes much sense of this rambling Spanish Revengers Tragedy. Set in a world of scrappy urban warfare, the kind haunting many a modern war zone, it conveys a constant threat of terrorist atrocities. The direction has its unrealistic moments – people leap, roll and slide on and off the family dining table like nobody’s business, while simulated sex and Verdi don’t always gel – but its visceral nature tallies with the opera’s grim themes of honour and revenge, and graphic imagery of modern-day massacres will strikes chords. Musical standards are very high indeed, with Asher Fisch leading a dramatically punchy reading of the score. Kaufmann is thrilling, yet subtle as Don Alvaro and, despite a silly wig, puts in a convincing portrayal. Anja Harteros is a perfect, neurotic Leonora, voice rich and text imaginatively handled. Ludovic Tézier is a robust Don Carlo, Vitalij Kowaljow plays powerful double roles, and…
WASO Chief Conductor Asher Fisch traces the symphonies’ sometimes convoluted development from first to last. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Perth-based orchestra is packing Wagner, Mahler and Sculthorpe for its first international tour in ten years. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Trifonov and Grimaud are among the debuts, old friends make welcome returns, and Limelight can reveal the Tristan cast. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★☆ Energised readings see the romantic rub shoulders with the radical. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Asher Fisch returns for 2016 with a knockout Teutonic Trio. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Why WASO’s Chief Conductor can’t wait to get his hands on a chorus of Jews. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
And three more years of Principal Conductor Asher Fisch is the icing on the cake. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
One of the most profoundly thrilling and beautiful musical experiences of this reviewer’s life. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Double concerto offers delights to match Fisch’s sublime Second. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★★ Zukerman finesses Brahms’ concerto, but Fisch’s First is world-class. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Are Australians in danger of overlooking some of the best music-making in our own backyard? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in