Who better than Michael Collins to light up music commissioned from Bela Bartók by America's jazz clarinet great?

The funding commitment – nearly $40m – is one of the state’s most significant investments in the performing arts to date.

A smart program gives Stefan Dohr the space to showcase his glorious tone, sublime phrasing and insightful interpretative vision.

The versatile and powerful accordion wasn't invented during JS Bach's lifetime, but chances are he would have used it if it had been.

No Queen but this airing of Czech chamber specials reaches sublime heights.

Like any good casting director, AFCM's Jack Liebeck knows how to curate an impressive opening-night lineup.

A little night music with a slice of Vienna from homecoming pianist Joseph Havlat.

A round-up of our recent news reports.

The AFCM's new Emerging Composer initiative will see young composers have their works performed, toured, recorded and released.

Log in to read the flipbook version of Limelight's July 2025 magazine.

Arriving in Australia this month, British clarinettist Michael Collins chats about his fast-paced career and surviving two terrible setbacks.

Andrew Ford explains how he was given permission to write his “free ramble”, which has its premiere at the Australian Festival of Chamber Music.