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Since 2017, the Melbourne-born violinist has been based in London. She discusses returning home to play with the Australian World Orchestra.

A gimmick? An existential threat? Limelight's cover story this month is devoted to the talking point of the year: Artificial Intelligence.

A gimmick? An existential threat? Limelight's cover story this month is devoted to the talking point of the year: Artificial Intelligence.

The AWO recalls elite musicians from around the world and across the country for two performances of Mahler's Ninth Symphony.

Cameron Lam goes big and bold in this month's Australian Art Music playlist, exploring major works for wind symphony, orchestra, big band, and the stage.

The Orchestra will tour with three historically-informed mainstage performances across Australia's east coast, as well as a program that blends classical music with contemporary Australian practice.

What do our orchestras and choirs have on offer in the year ahead?

Our reviewers and readers have voted for the Australian and international artists who raised their heart rates in 2022. Their votes have been tallied, and we are thrilled to announce our winners.

In the wake of a disappointing federal budget, Ben Eltham examines the challenges for a cultural sector still emerging from its deepest downturn.

Siobhan Stagg’s career is skyrocketing. The Australian soprano speaks with us about how she ended up in Berlin, and why her focus is now on the bigger picture.

Paul Dean and Elliott Gyger have taken home this year's Paul Lowin Prizes, presented at a ceremony that also included the Peggy Glanville-Hicks Address.