Deborah Jones explores Alexei Ratmansky's Cinderella created for The Australian Ballet, and also recommends Bangarra's Bennelong among streaming options.

We finish our round up of the shows that excited us most in 2019 with a look at dance.

Opening with a week dedicated to First Nations performances, Iain Grandage’s first program as Artistic Director spans a Noongar language adaptation of Macbeth to Cloudstreet, Philip Glass with puppets, and Humperdinck’s Hansel and Gretel in the park.

Once again it was Counting and Cracking's night as the epic new play from Belvoir and Co-Curious took home three more awards.

The first 20 winners at the 19th Annual Helpmann Awards were announced tonight, with Counting and Cracking taking home four awards.

Jiří Kylián allows the company to perform his 1983 work inspired by a corroboree.

The dance company’s 30th anniversary season will see it embark on its most ambitious national tour yet.

A work that is very beautiful visually though not as emotionally resonant as the company's strongest works.

Three choreographers create a beautiful harmony rather than one songline.

In an excerpt from his highly anticipated Platform Paper from Currency House, the cultural economist explores the issue of international engagement in a revisited cultural policy.

Beautifully staged and danced, each of the three works has its moments but the choreography needs more of a dynamic.

Next year’s centrepiece is a new work inspired by Bruce Pascoe’s award-winning book Dark Emu.