Patricia Cornelius's poetically powerful depiction of dementia and old age is stranded in the wilderness, its potential unfulfilled.

Actor Philip Quast prepares to venture into the frozen landscapes of Patricia Cornelius's wintry drama for Sydney Theatre Company.

Sylvia Khoury’s Pulitzer Prize-nominated Selling Kabul is a play that works like an ornate watch. This production is not ticking perfectly just yet.

UFO is not a play in which a lot actually happens. What makes it completely engaging is the way not a lot happens.

Nuanced and magical, this WA Opera production of Stephen Sondheim's twisty 1986 fairytale musical is a triumph.

Belvoir's production of Sondheim's Into the Woods gets off to a shaky start, but memorable performances and a moving second act win the day.

This moving, tech-savvy rendition of Irish writer Margaret Perry's Collapsible is rich with imagery and humour.

They say the apple doesn't fall far from the tree. Peter and Tamsin Carroll, stars of Belvoir’s Into the Woods, are a case in point.

There's too much going on in Theresa Rebeck's Bernhardt/Hamlet but actor Kate Mulvany exerts huge gravitational pull at its centre.

UK playwright Simon Longman's wintry drama Gundog is a gripping, poetic and timeless portrait of rural life and death.

Two very different productions of Sondheim's fairy-tale musical are about to open in Australia, one in Sydney, one in Perth. We speak to the directors.

Maeve Marsden's debut play Blessed Union is a scorchingly funny, deeply empathetic and politically attuned WorldPride must-see.