Review: Romeo and Juliet (Bell Shakespeare)
An appealing back-to-basics approach for this Romeo and Juliet has Shakespeare’s words do the heavy lifting.
An appealing back-to-basics approach for this Romeo and Juliet has Shakespeare’s words do the heavy lifting.
The everyday and extreme challenges we face, mixed with Sugar and some spice, create a life-affirming slice of contemporary theatre.
The Australian Shakespeare Company is presenting Arthur Miller's classic. It reminds us that civilisation is a fragile thing.
A purposefully didactic work, Stories from the Violins of Hope is part of the much greater project to ensure the victims of the Holocaust are never forgotten.
Scenes from the Climate Era will have you asking: have I just been radicalised by a play?
Patricia Cornelius's poetically powerful depiction of dementia and old age is stranded in the wilderness, its potential unfulfilled.
Actor Philip Quast prepares to venture into the frozen landscapes of Patricia Cornelius's wintry drama for Sydney Theatre Company.
Sylvia Khoury’s Pulitzer Prize-nominated Selling Kabul is a play that works like an ornate watch. This production is not ticking perfectly just yet.
UFO is not a play in which a lot actually happens. What makes it completely engaging is the way not a lot happens.
Nuanced and magical, this WA Opera production of Stephen Sondheim's twisty 1986 fairytale musical is a triumph.
Belvoir's production of Sondheim's Into the Woods gets off to a shaky start, but memorable performances and a moving second act win the day.
This moving, tech-savvy rendition of Irish writer Margaret Perry's Collapsible is rich with imagery and humour.
They say the apple doesn't fall far from the tree. Peter and Tamsin Carroll, stars of Belvoir’s Into the Woods, are a case in point.