Review: Into the Woods (Belvoir)
Belvoir's production of Sondheim's Into the Woods gets off to a shaky start, but memorable performances and a moving second act win the day.
Belvoir's production of Sondheim's Into the Woods gets off to a shaky start, but memorable performances and a moving second act win the day.
This moving, tech-savvy rendition of Irish writer Margaret Perry's Collapsible is rich with imagery and humour.
They say the apple doesn't fall far from the tree. Peter and Tamsin Carroll, stars of Belvoir’s Into the Woods, are a case in point.
There's too much going on in Theresa Rebeck's Bernhardt/Hamlet but actor Kate Mulvany exerts huge gravitational pull at its centre.
UK playwright Simon Longman's wintry drama Gundog is a gripping, poetic and timeless portrait of rural life and death.
Two very different productions of Sondheim's fairy-tale musical are about to open in Australia, one in Sydney, one in Perth. We speak to the directors.
Maeve Marsden's debut play Blessed Union is a scorchingly funny, deeply empathetic and politically attuned WorldPride must-see.
Anne-Louise Sarks discusses her path to directing, her special rapport with Kate Mulvany, and Sarah Bernhardt’s bravado.
A round-up of our recent news reports.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Making its debut during WorldPride 2023, CAMP bends time, fact and fiction into a celebration of the activists behind the push for gay rights in the 1970s.
UK playwright Sabrina Mahfouz’s monologue Chef had its Sydney premiere on this stage a year ago. Second helpings are very much in order.
History repeats as Belvoir tops a Sydney Theatre Awards ceremony celebrating a year in which normal service resumed.