In just one day, Music in Me aims to give primary school teachers of all backgrounds a toolkit to help kids get the music education they deserve.

Watershed, though not strictly an opera, is everything contemporary opera should be and so rarely is.

Composer Sir Karl Jenkins speaks to Limelight about his most popular work and its evolving meaning over more than 3000 performances.

English former tenor Matthew Beale brings over 30 years of classical music industry experience to his new role at Sydney Philharmonia Choirs.

Brett Weymark and Sydney Philharmonia Choirs pull out all the stops for Mendelssohn’s swansong.

Brett Weymark and the Sydney Philharmonia Choirs triumph in a high-altitude assault on Bach’s magic mountain.

From Italian Baroque to new works and Rachmaninov from the comfort of a yoga mat, Sydney Philharmonia Choirs' 2024 is one of "contrast".

Five contemporary operas, a bigger Melbourne presence, more women conductors and directors – Jo Davies' inaugural season suggests a change of direction for OA.

Sydney Philharmonia Choirs delivers a powerful and immaculate Australian premiere of one of this century’s greatest works.

Sir James MacMillan’s Stabat Mater has its Australian premiere this month. Here, the composer discusses its text, his faith and why composing is a compulsion.

Delivering a beloved choral classic alongside satisfying new Australian works proved a great example of modern programming.

CSO 2024 delves into the human connection with the surrounding world while platforming a major Mahler work and five world premieres.