Callum Linnane leaves The Australian Ballet for Principal Artist role with Hamburg Ballet.

The concept of the guilty pleasure could have been created just for this sprawling, opulent ballet.

John Neumeier’s Nijinsky is a ballet that with each viewing and hearing shows something new and precious.

Based more closely on Prosper Merimée’s novella than Bizet's opera, Johan Inger’s Carmen gets inside Don Jose’s head – and it’s a dangerous place.

It's time to pull the 'cracker, with Tchaikovsky, the art of classical dance and a swag of gorgeous tutus lighting up the revival of Peter Wright’s production.

Oscar foregrounds the queer experience in a full-scale production of the kind typically reserved for heteronormative plotlines.

The Australian Ballet's dancers make Johan Inger’s masterpiece their own, meeting his challenge to find the human in its ugliness and beauty.

A mixed program of contemporary works, carried by an exhilarating Australian premiere from New York choreographer Justin Peck.

This new production, co-produced with Joffrey Ballet, has finally arrived in Melbourne to the great excitement of the audience.

The Sydney Celebration Gala was not just a welcome surprise, but a reminder of what a truly world-class company we have, and how much we have to look forward to in 2022.

Two country boys have walked away with the Australian Ballet’s prestigious annual Award and People’s Choice. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in