Painstaking attention to detail by the family-run winery and exceptional musicianship make for an unmissable return to the festival after more than two years.

The Nielson Foundation, UKARIA Founder Ulrike Klein and Biennale of Sydney CEO Barbara Moore are among those recognised for their philanthropic support of Australian theatre, music and the visual arts.

The Melbourne-based musician and co-director of Australian Digital Concert Hall has received the prestigious Fellowship to investigate creative and sustainable approaches for a digital arts platform.

Co-directors Chris Howlett and Howard Penny imbue Victoria's old gold town with the vigour of chamber works both beloved and rediscovered.

Tapping into the deeper sense of community that emerged during COVID, the Fidelio Quartet's Rachel Atkinson has programmed a chamber music festival with the support of a Camberwell church.

This month’s concert highlights from ABC Classic, independent radio and streaming.

Festive five-day treat was just what the doctor ordered.

Triumph plucked from adversity in a concert fit for a Mayor.

On the eve of his tenth and final 3MBS Marathon, this year focussed on Tchaikovsky, Artistic Director Chris Howlett reflects the origins of the event, and where the marathon now sits in Melbourne's classical calendar.

Festival organisers defy the gods and strike up the band, with a wonderful opening concert.

William Hennessy chose the intimate setting of a string quartet recital to make his last musical statement as MCO’s Artistic Director – and a very fine concert it was too.

Melbourne Digital Concert Hall proved a lifesaver during the pandemic, raising money for artists and keeping audiences connected with the music they loved. It shows how deep the connections they established that they have been voted the Peoples' Choice in the 2021 Limelight Artist of the Year awards.