Ensemble Offspring turns 25
We speak to Artistic Director Claire Edwardes about a quarter-century of new music, and celebrating a milestone birthday under unusual conditions.
We speak to Artistic Director Claire Edwardes about a quarter-century of new music, and celebrating a milestone birthday under unusual conditions.
The conventional wisdom says that for the performing arts the online space is difficult, if not impossible, to effectively monetise. We speak to the musicians and presenters who are making a go of ticketed live streaming events.
In this week's column, Angus McPherson looks at concerts by the Academy of Ancient Music, Ensemble Offspring and the West Australian Symphony Orchestra.
Small to medium companies who missed out in the Australia Council for the Arts’ latest Four Year Funding for Organisations round take stock in the midst of a crisis.
New music group Ensemble Offspring, director Barrie Kosky, and arts editor Richard Watts receive prestigious awards.
Health-related projects come out on top, with a number of classical music individuals and organisations like the Four Winds Festival and Claire Edwardes also successful.
Berlin-based violinist and improviser Biliana Voutchkova draws masterfully on an incredible palette of sounds.
Steve Dow looks at the challenges facing small to medium arts companies when it comes to venues and funding.
Claire Edwardes, Elaine Chia and Katie Noonan are among the finalists in this year's Awards, which seek to highlight on the accomplishments of women across the Australian music industry.
The overhauled process will see funding recommendations made by Artform Assessment Boards chosen by the Arts Minister, in a move that has sparked heated debate in the industry.
Ensemble Offspring’s Claire Edwardes tells us about six pieces that will premiere at the Kontiki Racket festival, including a work for a trumpet with two bells.
Three acts will present Australian music and musicians to the world as part of the Showcase Festival at the conference in Rotterdam.
The “sorceress of percussion” enchants a capacity crowd in a concert of Australian music.