Review: The Power of One (Canberra Symphony Orchestra)
The “sorceress of percussion” enchants a capacity crowd in a concert of Australian music.
The “sorceress of percussion” enchants a capacity crowd in a concert of Australian music.
A dancer and a percussionist collaborate in an unusual duo, but the work still has more room to move.
A concert all the more interesting for its elements of surprise.
Claire Edwardes unveils James MacMillan's latest percussion concerto and David Robertson gives us a cracker of a Beethoven 7.
A beautifully shaped program from Ensemble Offspring, showcasing three brand new works and a spectral classic.
From Bach and Lieder to world premieres and tango, the AFCM's opening weekend delivers fresh, exciting programmes full of contrast and elan, writes Jessica Duchen.
An exciting, vibrant program that felt a little too big for the Utzon Room.
Susanna Borsch's white-hot performance was made for the Glassworks Hot Shop.
Dazzling sixth solo album from a great Australian percussionist.
From Gosfield’s spiky cactus needles to Lang’s hard-edged swagger, this was a cracking start to Ensemble Offspring’s 2018.
Music and storytelling combine in a performance that brings narrative archetypes to life.
Along with Claire Edwardes and seven canny composers, the playwright explains how she created a musical Everywoman.
The new music ensemble’s performance for International Women’s Day launches a year celebrating female composers. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in